Jan. 23rd – In Theatres

Unfortunately I can not direct you to any films for the weekend. I was unable to screen any of these prior to the release date. These films will hit box offices on Friday January 23rd.

donkey_punch                 inkheartfront            underworld3

  • “Inkheart” – In this fantasy adventure based on Cornelia Funke’s book, a young girl and her father cause fictional characters to leap into reality. But a formerly book-bound baddie (LORD OF THE RINGS’ Andy Serkis) takes the dad hostage, and it’s up to the junior heroine, and some fictional help to rescue her father.

 

  • “Underworld: Rise of the Lycans” - Michael Sheen and Bill Nighy revisit their roles from UNDERWORLD in this prequel to the horror-action hybrid. Sheen (THE QUEEN) stars as Lucian, a werewolf who battles vampire Viktor (Nighy, the Pirates of the Caribbean films), despite his love for Viktor’s daughter Sonja. Kate Beckinsale might have departed the series, but fellow dark-haired beauty Rhona Mitra (DOOMSDAY) fills fans desires for a sexy heroine in her role as Sonja.

 

  • “Of Time and the City” - Lovely vintage footage graces this arresting documentary from director Terence Davies (DISTANT VOICES, STILL LIVES), who crafts an ode to Liverpool, the city of his birth. OF TIME AND THE CITY chronicles the transformation of Liverpool and its people during the middle of the 20th century, resulting in a fluidly ever-changing–yet always dead-on–portrayal of an entire city. Touching and oftentimes savagely funny, OF TIME AND THE CITY is equal parts poem. history, and autobiography. It has also made its way onto the several best-of-the-year lists of some of the most revered international critics.

 

  • “Crips and Bloods: Made in America” -Directed by critically acclaimed documentary filmmaker Stacy Peralta and Executive Produced by NBA star Baron Davis and Silicon Valley entrepreneur Stephen Luczo, Crips and Bloods: Made in America tells the story of the Crips and Bloods, South Los Angeles’ two most infamous African-American gangs. Combining unprecedented access into the worlds of active gangs, Crips and Bloods: Made in America offers a compelling, character-driven documentary narrative which chronicles the decades-long cycle of destruction and despair that defines modern gang culture. The shocking war-zone reality of the South LA Gangs, the Crips and the Bloods.

 

  • “Donkey Punch” - Kim (Jaime Winstone), Tammi (Nichola Burley) and Lisa (Sian Breckin) are best friends on a girl’s weekend in Mallorca, away from grey Leeds. Feisty Kim and carefree Lisa are determined to party and distract Tammi from an ex-boyfriend back home. They hit the town, giggling, dancing and flirting, they’re up for fun and maybe a little bit of trouble too, and find both with three middle-class London boys: smooth operator Marcus (Jay Taylor), bad boy Bluey (Tom Burke) and fresh-faced Josh (Julian Morris). They hit it off instantly and, while sipping stolen champagne on the beach, the boys brag about the luxury yacht they are crewing on for the summer, and lure the girls back to the boat for sunset tunes and bubbly. Despite Tammi’s hesitation, Kim and Lisa are keen to party and Lisa finally coaxes Tammi onboard, but only after they’ve spotted the rather lovely Sean (Robert Boulter) who’d stayed behind on the boat while the boys were bar-hopping. Josh gives the girls the grand tour and they are suitably impressed. Bluey jumps on the DJ decks and Sean, who turns out to be Josh’s older brother, shows his sensible nature demanding Bluey turn the music down. Marcus decides they should head out to sea where noise won’t be a problem. The scene is idyllic. The sun is shining, the ocean is crystal blue and Bluey, (wannabe rude-boy, drug-dealer and DJ) can pump the music as loud as he wants, because there’s no one around for miles. Bluey distributes some pills and, while they take a dip in the sparkling water, talk turns sexual. To get a reaction, Bluey explains the meaning of the phrase “donkey punch” to the shocked group and an embarrassed Josh, who’d claimed he’d mastered it. As the ecstasy kicks in, the girls and guys begin to pair up. Bluey and Marcus decide to take the action below deck, leading Kim and Lisa into the master bedroom, while Josh scampers after them to watch. The video camera comes out and the ‘fun’ starts. While Tammi and Sean talk about deep and meaningful relationships above deck, downstairs things quickly become raunchy and out of control. Bluey is clearly an instigator and Lisa is open to experimentation. Stoked by drugs, the masculine sexual bravado is taken one step too far, when suddenly a game of dare has become a horrific fatal accident, and Lisa is dead. Forced to straighten up and think on their feet, rash decisions are made and the girls see the boys veer swiftly from charming to cold and calculating as they see their comfy middle-class futures disappearing before their eyes. The boys turn against the girls and against each other as drug-fuelled paranoia sets in and the true nature of each character comes to the fore. Trying first manipulation and then brute force the boys try to get the girls to agree they’ll tell the police Lisa just fell overboard. While only Sean is left with some empathy for the horrific situation, in order to protect his brother he agrees to throw the body overboard. But, as the girls desperately struggle to outwit the boys, frayed nerves and intense paranoia make their vulnerability glaringly obvious. Striking for its sparseness, Donkey Punch centres on the three elements; the characters, the boat and the ocean. –© Magnet/Magnolia

***If you do see one of these films please feel free to provide your own review below.
 I would love to know your personal opinion.

All synopsis provided by Rotten Tomatoes.

Next week I will offer reviews for “New In Town” and “The Uninvited”

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